03
May
BANG YOUR CABEZA
METALACHI ROCKS CLASSIC METAL WITH A SLICE OF LIME
Countless bands have rocked the Sunset Strip with cool covers of hard rock classics by metal icons like Metallica, Zeppelin and Ozzy. But no one has ever reinvented metal classics as badass and brilliantly hilarious as L.A. band Metalachi, the world’s first mariachi-metal cover band.
The Christmas lights on their sombreros and the KISS makeup and codpieces add a nice metal touch, but it’s the band’s mariachi-metal renditions of tunes like “Enter Sandman” and “Crazy Train” that steal the spotlight. And Metalachi’s velvet-smooth showmanship and loco sense of humor — they also cover Cheech & Chong tunes — make their shows more fun than downing a bottle of tequila and watching Spinal Tap again for the hundreth time. But what do you expect from a band with awesome aliases as metal as their music: frontman Vega De La Rockha, guitarist Ramon Holiday, violinist Maximillian “Dirty” Sanchez, guittaronist Poncho Rockefeller, trumpeter El Cucey and emcee Warren Russia.
Formed in 2011, the L.A. band is relatively new to the Hollywood scene but has already packed Sunset hot spots and nabbed famous fans like Billy Idol and artist Shepherd Fairey. Appropriately, Metalachi is headlining the Roxy on Cinco de Mayo.
Bang your head to Metalachi’s insane cover of “Crazy Train,” below. See their tour schedule for more SoCal shows.

Considering that meh bands like Muse and Phish were among recent past headliners, this is clearly the hottest lineup in the music fest’s history. (Although Pearl Jam’s ‘09 set totally rocked!) And at a little over $200, tickets for the three-day event are very reasonable.
Metallica
Fortunately, the current crop 
“I’ve always been very self-motivated. I never went looking for action. I always assumed it was in the glove compartment, so to speak, and all we need is a place to get it out and spread it around. …There’s three kinds of folks on this planet. There’s people who make things happen; there’s people who watch things happen; and there’s people who wonder, what happened?“ 




1. GN’R’s support act, Sunset Strip party-parody band
4. The Forum’s over-priced beer is served in cups that make a Dixie Cup look like a stein in comparison!
“Everybody’s seen our show, so we have to put together something new,” says Walsh, who also plans to release a solo album in February or March. “We’ve been archiving so much stuff from the band’s early days, concert footage and interviews and stuff. Those will be the visuals to go along with the songs. We’ll also revisit some old songs and some new stuff.”
— Ozzy Osbourne, Trust Me, I’m Doctor Ozzy. 
Appropriately, the Upland, California-born rocker opened his Sunset Strip show with “Out Here in Cali,” and kicked off a tight set with a sonic sucker punch that never let up. The former OPM frontman’s solo rendition of ”Before I Leave This Place,” his 2010 collaboration with Everlast, proved that the tatted and bearded badass could effortlessly serve up the raw intensity of the moody track without anyone’s help. “White Trash Renegade,” “Criminal,” “White Trash Life,” “Hooligan” and “Rockstar” were also on the set list and kept a mosh pit sweaty and swingin’ throughout the show — always the mark of a successful gig.
SunsetandClark’s Awesome Book o’ the Month is, hands down, Duff McKagan’s memoir, It’s So Easy…and Other Lies, a rockin’ chronicle of Guns N’ Roses’ rise to infamy. Back in the mid-’80s when the band were, as McKagan writes, so broke that they had to share a bag of Cheetos for lunch, infamous rock Svengali Kim Fowley offered $50,000 for the rights to “Welcome to the Jungle,” which was creating a buzz at the L.A. band’s Sunset Strip shows. The killer track would later wind up as the second single off their career-defining 1987 debut, Appetite for Destruction. Despite their dire financial circumstances, Axl Rose and his band had the integrity to stand their ground and turn down Fowley because of his notorious mismanagement of the Runaways’ career in the Seventies. 
The metal gods themselves will be at the opening night reception, with local